As part of my undergraduate dissertation at Manchester, I undertook a transcription of Keith Jarrett‘s virtuosic improvised piano piece Ritooria.
A bound copy of the score, including editorial notes, was thrust into the hands of an ungracious Keith Jarrett after about 2 hours of waiting in the rain at the end of a concert in London a number of years ago. (Ok, perhaps he was exhausted, but still.) It had my number. I saw him shuffle through the score whilst being driven off in his chauffeur-driven limo but that was it. I also called his then agent who was sadly a little curt and showed no interest.
Quite a few Keith Jarrett followers have now asked for this since I ditched my old website, and so here it is.
UPDATE 13th April 2009: The below download is back online.
This is for personal use only. Transcription copyright pending.
Download the score (PDF), editorial notes (PFD), and original MP3 from which the score was transcribed in a zipped bundle here (5.8Mb)
From my old website guestbook:
“Ciao Mat,
Thank you for you incredible transcription of Jarrett’s Ritooria!
I will study it real hard.”
- Rudy
“Thank you so much. Your transcription was truly both humbling and enlightening. The section that begins at m.59 has, for the last thirty-some-odd years been one of my favorite passages of music. It is sublime. Screw all the “Down with transcriptions” people. I, for one, truly appreciate your Herculean efforts [they were Herculean, weren't they!?
] regarding Ritooria. Nu? When is the next transcription coming up (he said, greedily rubbing his gnarled fingers together…)?”
- Peter at JazzTemple
“Incredible job on the Ritooria transcription. Quite a feat, one of the more complex pieces on the record, rhythmically and harmonically. Was this done as a labor of love on you behalf? As an ear training assigment? A sadistic challenge? Whatever your reason, thank you! I have been a Jarrett fan for many years, and “Facing You” is my favorite solo piano record of all time. I look forward to any other “Facing You” transcriptions that you tackle in the future. And I would be certainly be willing to pay for them. Thanks again!”
- Greg Laporta
“I’ve been looking for transcriptions from ‘facing you’ for a long time. Appreciate the effort you’ve made. Maybe I can reciprocate someday.”
- Robert Scurlock
“hey Mat,
Wow! Totally nice to get that transcription.
Finally I’ve just looked at it, but seems to be very well done work, perfect read-ability and looks like it took a lot of time.
Thank you for sharing it with us. You’ll get another comment, when I played some part of it.
Thanks once again!”
- Phillip Enders
“Mat,
Wow! I am much impressed. And I must concur with garthhudson 2000 who, at the Yahoo Jarrett club, posted the following comment:
“finally someone transcribed that dang thing.”
Though many a “purist” abhors the idea of taking one portion of a musical work out of the context of its whole, I do not. Mind you, I treasure Ritooria in its entirety, but the absolutely stunningly lush and beautiful passage from measure 59 (4:23) to the end has always held a special place in my heart for the entire thirty-some-odd years that I have been listening to Facing You.”
- Anonymous
Tags: jarrett, keith, pdf, ritooria, score, sibelius, transcription
-
Thank you very much Mat.
Very strong poetry from the first notes …. this piece is amazing , one of my all time Jarrett favorites..Googled rittoria to find out about the meaning of the title ( guessing it had something to do with the greek rheetoria (=rhetoric) and here i am playing it on piano
thanks again from Greece
-
Thanks so much! Great job! Just a note on your encounter with KJ — don’t take it personally. He appears to have authorized only a single transcription of his playing during his entire career — the Koln concert. All other sheet music of his work consists of actual scores that he prepared for others to play, not transcriptions of his improvisations by third parties for study and dissection. My guess would be that he is against transcriptions of his work (maybe everyone’s work?) on philosophical grounds. That would be consistent with what appears to be his approach to improvisation — study all the music you can get your hands on, internalize it, then when you improvise, just let it come out through your subconscious in a new, individual form. Although I don’t subscribe to it myself, I can understand a point of view that studying transcriptions can potentially influence you too strongly and reduce the individuality of your playing. Just a guess.


7 comments
Comments feed for this article
Trackback link: http://hazymat.co.uk/2008/09/ritooria-transcription-for-download/trackback/